Category Archives: Craft Breweries

Craft Breweries and the 15-Minute City

Last month, I attended a conference in Monterey, CA where I had the opportunity to hear Carlos Moreno speak. Born in Yunja, Colombia, Moreno is an urbanist and professor at Sorbonne Université in Paris. Among academics and city planners, he is best known for his work on the 15-Minute City, a term he coined at the 2015 Paris Climate Conference.

As an idea, the 15-Minute City is a pretty simple. It is an urban planning concept which advocates that most (if not all) of the amenities that you need for daily living (education, healthcare, work, leisure, entertainment etc.) should be accessible within 15 minutes using active modes of transport, i.e., walking or cycling. This is not necessarily a new concept.. As early as the late19th and early 20th centuries the idea of socially cohesive neighborhoods with a sense of community and amenities such as parks, schools, libraries, and public baths were being discussed.

The 15-Minute City emerged as a response to our excessive use of the automobile. The dominance of the automobile travel in the United States is reflected in data reported by The National Household Travel Survey (NHTS). This survey showed that, in 2022, the average shopping trip was 5.6 miles, the average trip for childcare was 6.5 miles and the average trip to participate in a religious activity was 8.9 miles. In contrast, data presented by the National Bureau of Economic Research shows that “residents of the median US neighborhood only take 12.1% of their trips to basic amenities within a 15-minute walking radius.”

Key planning concepts underlying the 15-Minute city include neighborhoods, accessibility, walkability, and land use mix. In a paper published in 2023 in the journal Sustainable Cities and Society, Efthymis Papadopoulos and his colleagues suggest that the 15-Minute City bringsthe idea of living locally at the forefront of city planning”. The benefits of living locally include a lower carbon footprint, healthier residents, and stronger community bonds.

Strong community bonds exist in the 15-Minute City because neighbors have more face-to-face interaction with each other. These interactions occur as people go about their daily living. And the interactions that people in a neighborhood have with each other do not need to be intense or long lasting in nature. Indeed in a 2014 paper published in the journal Social Psychological and Personality Science, Gillian Sandstom and Elizabeth Dunn showed that a brief exchange with a coffee shop barista (having a short conversation) enhances an individual’s happiness and sense of belonging. People living in amenity rich neighborhoods have a larger number of face-to-face interactions with other residents, exhibit higher levels of interpersonal trust, are less likely to experience social isolation and loneliness, are more willing to help their neighbors, and generally feel better about their community than people living in lower amenity neighborhoods. As noted by the aforementioned Papadopoulos and his colleagues, the15-Minute City begins to “address the problem of alienation and disengagement between the citizens”.

In the 15-Minute City the necessities of everyday life can be accessed within 15 minutes by using active modes of transport (Source: City of Fort Collins, CO)

As I listened to Carlos Moreno speak I thought about craft breweries and the role they might play in the 15-Minute City. As myself and others have argued before, craft breweries function as neighborhood gathering spots (aka Third Places) in cities, large and small, across the United States.

Coined by the urban Sociologist Ray Oldenburg, the term Third Place refers to places outside of home or work, where people congregate and interact. Writing for Brookings Institution, Stuart Butler and Carmen Diaz (2016) note that Third Places are “locations where we exchange ideas, have a good time, and build relationships”. Others have referred to them as the “Living Room of Society” and “Centers of Community” respectively.

Some observers suggest that craft breweries are a new genre of Third Place on the American landscape. These include George Homewood, Norfolk, Virginia’s director of planning and community development, who argues that craft breweries are “gathering places that are in many ways replacing things like libraries and recreation centers within a neighborhood”, while Jim Morrison, writing for The Smithsonian Magazine, describes craft breweries as “the evening analog to the third place of the morning coffeehouse.” Furthermore, many craft breweries are child and dog friendly, offering families a place where they can gather, interact, and relax. As such, they have an important role to play in the 15-Minute City.

One advantage that craft breweries have over many other Third Places (libraries, coffee shops, farmers markets etc.) is that they serve alcohol. As a stimulant, alcohol releases endorphins in our brains, allowing us to relax and be more amenable to interpersonal interactions. Research by the evolutionary psychologist Robin Dunbar has demonstrated that people who have a pub (he did his research in England) they they frequent on a regular basis “tend to be more socially engaged, feel more contented and are more likely to trust other members of their community than those who do not drink at all”. 

The concept of the 15-Minute City got me thinking about breweries in my neighborhood. While 85% of Americans of legal drinking age live within ten miles of a craft brewery, I have no idea how many live within a 15-minute walk or bike ride of a craft brewery. The brewery closest to my house is a 23 minute walk or a seven-minute bike ride. There is a second (newly opened) that is a 13-minute bike ride. I guess I could always invest in a bicycle.

Earnest Brew Works (Westgate location) in Toledo, OH is a 7-minute bike ride (23-minute walk) from my house

Further Reading:

Jeffres, Leo W., Cheryl C. Bracken, Guowei Jian, and Mary F. Casey. 2009. The impact of Third Places on community quality of life. Applied Research Quality Life, Volume 4, Issue 4, pp. 333–345.

Papadopoulod, Efthymis, Alexandros Sdoukopoulos, and Ioannis Politis. 2023. Measuring compliance with the 15-minute city concept: State-of-the-art, major components and further requirements. Sustainable Cities and Society, Volume 99.

Sandstrom, Gillian M. and Elizabeth W. Dunn. 2014. Is efficiency overrated?: Minimal social interactions lead to belonging and positive affect. Social Psychological and Personality Science, Volume 5, Issue 4, pp. 437-442.

Barrio Logan – Gentrification or Gentefication?

The role that craft breweries have played in the revitalization of distressed urban neighborhoods has received a significant amount of attention in both the popular media and academic literature. Indeed, it is a topic I have addressed several times in previous blog entries (for example see here and here). The relationship between craft breweries and neighborhood revitalization is a complicated one. In some neighborhoods, the introduction of a craft brewery may be the catalyst for revitalization of the neighborhood, while in others craft breweries arrive after the revitalization process is already underway. An example of the former includes the Ohio City neighborhood in Cleveland, OH, while the latter isthe NoDa neighborhood of Charlotte, NC. Some see the revitalization of a distressed neighborhood as a positive development, while others view it through a negative lens. The latter group point to the displacement of incumbent residents and businesses who can no longer afford the higher rents that inevitably come with a revitalized neighborhood. – the term gentrification is often used to describe such a process. Gentrification can be defined as the “a demographic and economic shift that displaces established working-class communities and communities of color in favor of wealthier newcomers and real estate development companies.”

No large American city is exempt from gentrification. This includes the city of San Diego, CA where approximately 30% of census tracts have undergone gentrification since 2000. Late last year I had the opportunity to visit Barrio Logan, a San Diego neighborhood where gentrification has been an issue of ongoing debate.

Barrio Logan is a community of approximately 4,800 people in south central San Diego. Just over 70% of the population are Hispanic. Indeed the neighborhood has been predominantly Hispanic since the early 20th century when refugees from the Mexican Revolution settled there.  The neighborhood is bordered by United States Naval Base San Diego to the southeast, Interstate 5 (built in 1963) to the northeast, and the San Diego Unified Port District and bay to the southwest. A central focus of the neighborhood is Chicano Park, which has been described as “the geographic and emotional heart of Barrio Logan” and “one of San Diego’s most culturally significant landmarks.” Established in 1970, the park is located beneath Interstate 5 and the on-ramps for the San Diego-Coronado Bridge. With over 80 murals, the park has the largest collection of outdoor murals in the world. The murals focus on Chicano culture, “ranging from Mesoamerican influences to local San Diego Chicano struggles”. In 2022, Time Out listed Barrio Logan in its top ten list of the world’s coolest neighborhoods.

Barrio Logan (Source: Barrio Logan Community Plan)
Many of the Chicano Park murals have been painted on the pylons that support the Coronado Bridge
One of the most famous murals is “Hasta La Bahia. Translated, this means “All the way to the bay,” refers to a campaign throughout the 1970s and ’80s to extend the park to the San Diego Bay

On my recent visit there, I had the opportunity to participate in a group walking tour of the Barrio Logan neighborhood. Our tour guide was David Favela, owner of one of the neighborhood’s breweries, Border X Brewing. We started our tour at Border X, where David provided us with a history of both the brewery and its relationship to the neighborhood.
Since its opening in 2013, the brewery has served as a community gathering spot, a neighborhood Third Place if you will. In a recent interview David also noted that “We’re serving the community that exists today. We’re not waiting for a new community to displace them.” The last statement is a nod to gentrification, a topic that is discussed in more detail below.

David Favela, owner of Border X Brewing, tell us about the history of the brewery

After sampling four different beers at Border X, David took us through a transect of the neighborhood, at the conclusion of which we ended up at Mujeres Brew House. Mujeres is owned by David’s wife Carmen Velasco-Favela and her business partner Esthela Davila. It is a brewery with an interesting origin story. In 2019, a survey revealed that 60% of Border X’s customers were female. This gave Velasco-Favela, who was then BorderX’s marketing director, the idea to start a women’s brew club. The brew club functioned primarily as an educational forum, with guest speakers covering every conceivable topic from the history of beer to how the stuff is made. The speakers’ series proved highly successful and soon the idea of opening a female-owned brewery was mooted by Velasco-Favela. When a vacant building became available in the neighborhood, the idea quickly evolved to become a reality. On July 1, 2020 Mujeres Brew House opened its doors.

David talking to our tour group at Mujeres Brew House, with the freeway on-ramp as a backdrop.

Many of the beers at both Border X and Mujeres Brew House are inspired by David and Carmen’s Hispanic heritage. For example, at Border X we sampled their Blood Saison. This particular beer, whose ingredients include the leaves of the hibiscus, is inspired by Agua de Jamaica, a hibiscus iced tea. At Mujeres, the La Jefita Tamarindo Hefeweizen includes fresh tamarind pulp which is imported from Mexico. Both David and Carmen are running breweries which brew great beer and appear to be contributing to the vibrancy of the Barrio Logan neighborhood. More formal recognition of David’s efforts came in 2020 when he was a semi-finalist for the prestigious James Beard Award in the Outstanding Wine, Spirits, or Beer Producer category. The objective of the awards is to “is to recognize exceptional talent and achievement in the culinary arts, hospitality, media, and broader food system, as well as a demonstrated commitment to racial and gender equity, community, sustainability, and a culture where all can thrive.”. Although he never won, being a semi-finalist was a recognition of the what David has achieved at Border X.

David Favela in front of one Barrio Logan’s murals

One of the issues that I raised with David during our tour was that of gentrification. Rather than experiencing gentrification, David suggested that the neighborhood had actually underwent a process he called ‘gentefication’. According to one definition, “Gentefication happens when college-educated, upwardly mobile Latinos invest in neighborhoods they’ve grown up in.” In short, the difference between gentrification and gentefication is that in the former it is outsiders with no ties to the neighborhood who invest, while in the latter it is people with ties to the neighborhood (and in some cases current residents) who invest. The word gentefication is derived from “la gente” (“the people” in Spanish), suggesting “grassroots, Latino-led redevelopment of the community.

While gentefication has undoubtedly occurred in Barrio Logan, so has gentrification. And indeed, both may be having a similar impact. In a paper published in 2021, Emanuel Delgado and Kate Swanson suggest that both processes (not just gentrification) have contributed to increased rents, making it difficult for some longer-term residents and businesses to remain in the neighborhood. They cite the cases of Mesheeka and the Chicano Art Gallery, two local galleries, closed due to escalating rents. Local residents such as Maritza Garcia, who works with the Environmental Health Coalition, are fighting back against further gentrification. The city appears to be listening. The 2023 Community Plan for the neighborhood “seeks to limit the displacement of residents”. Policies identified in the Plan to facilitate this include working with development applicants to provide very-low and low income affordable housing, promoting homebuyer assistance programs for moderate-income buyers, and encouraging compliance with State and local affordability requirements to ensure an adequate supply of affordable housing. But residents are no depending upon the City to address gentrification. The Barrio Logan Community Land Trust Committee has been established to purchase land, with the objective that using it in a way that is beneficial to the community. Community Land Trusts are recognized as one of a number of best practices when it comes to fighting gentrification. I have visited Barrio Logan twice in recent years. As an outsider, it would be inappropriate for me to comment on the state of play with regards to the changes which have taken place in the neighborhood in recent years. All I will say is that I enjoy visiting Barrio Logan, and find it a vibrant and friendly neighborhood. And, of course, it has two wonderful breweries.

One Barrio Logan resident makes their feelings on gentrification clear

Further Reading:

Delgado, Emanuel and Kate Swanson. 2021. Gentefication in the barrio: Displacement and urban change in Southern California. Journal of Urban Affairs, Volume 43, Number 7, pp. 925-940.

Rosen, Martin and James Fisher. 2001. Chicano Park and the Chicano Park Murals: Barrio Logan, City of San Diego, California. The Public Historian , Volume 23, Number 4, pp. 91-111.

Craft Breweries and Cities: Perspectives from the Field

I was in San Diego, CA last month. My main reason for going was to attend the annual North American Meetings of the Regional Science Association International. The conference was excellent and, in addition to learning about current research being done by fellow Regional Scientists, it was an occasion to re-connect with old friends and colleagues. It was also, however, an opportunity to participate in an event not connected with the conference – a panel discussion focused on the future of craft breweries and cities.

The panel discussion was organized by my friend, Julie Wartell and her colleague Vince Vasquez. Earlier this year, Julie and Vince, had published a book titled “Craft Breweries and Cities: Perspectives from the Field“. They had invited me to contribute a chapter on the topic of craft breweries as neighborhood assets. I happily accepted their invitation and, along with it, the challenge of saying everything I wanted to say on the topic in no more than 15 double-spaced pages.  For those who are interested, my chapter explored the role that craft breweries play in the adaptive reuse of abandoned buildings, neighborhood transformation, and serving as neighborhood gathering spots (aka Third Places). The panel discussion was partly an event to promote Julie and Vince’s book, but also to open up the topic (and discussion thereof) to a broader audience. In addition to myself, Julie, and Vince, Russ Gibbon of Blue Dome Consultants joined us on the panel.

Blind Lady Ale House’s promoted our even on their website

Our host for the event was Blind Lady Ale House (also known by the acronym BLAH). Established in 2009, BLAH describes itself as “one of San Diego’s original indie beer bars and a pioneer in the Farm to Pizza movement in San Diego” and “one of San Diego’s earliest “nano breweries.” Blind Lady is located in Uptown San Diego, and is a vibrant hub of activity. They have live jazz every Thursday, vinyl nights on Friday and Saturday, and industry night on Monday. Our panel discussion that evening was followed by a performance by the Barnacle Boys. Speaking of our panel discussion, each of the panelists spoke about their respective chapters for about five minutes each. In addition, Jeff Motch, the owner of BLAH, provided his insights on the current state of the craft brewing industry.

The Barnacle Boys performing at Blind Lady Ale House

I have read a lot of books about the craft brewing industry. Many of these have been written by academics, while others have been authored by well-known brewery owners (e.g. Ken Grossman of Sierra Nevada Brewing Co. and Tony Magee of Lagunitas Brewing Company). In the latter, the authors focus on their own personal story and their journey to starting and growing a successful craft brewery business. The book by edited by Julie and Vince is a little different, however. Yes, there are contributions from academics such as me, and a chapter co-authored by Greg Koch of Stone Brewing. Many of the contributions, however, are from what might be broadly termed practitioners; people who work with the craft beer industry in some capacity. These include Kevin Ham (Director of Economic Development for the City of Vista, CA), Dustin Hauck (Hauck Architecture) who helps design craft breweries, Russ Gibbon (Blue Dome Consultants LLC) who assists craft breweries in navigating the swamp-like regulatory environment, Omar Passons (a former land use attorney), and Bart Watson (Chief Economist of the Brewers Association).

The front cover of Craft Breweries and Cities: Perspectives from the Field

As an academic, I found the chapters by practitioners to be especially fascinating. This is mainly because they bring a completely different perspective to a topic than that often brought by those of us in academia. They bring a voice that, while different, is equally (maybe more) valuable. These are individuals who work with breweries and who are focused on finding solutions to problems and challenges. They do this by bringing their unique knowledge and expertise to the table. In many respects, they are focused on making the world a better place by getting things done – in many of the cases discussed in this book, the “getting things done” is assisting with the opening of a new brewery. As someone who researches and writes about the craft brewing industry, most of my focus is on the brewers and the breweries that provide me with beer. Contributing to this book and participating in this panel discussion was a reminder that there are many other people who are working, often quietly in the background, to help the industry be successful.

From left to right: Vince Vasquez, Russ Gibbon, and Julie Wartell who all shared their insights on the future of craft breweries and cities
Jeff Motch, the owner of Blind Lady Ale House, shares his thoughts’

Further Reading:

Wartell, Julie and Vince Vasquez. Craft Breweries and Cities: Perspectives from the Field. Routledge Publishers.

The De-Platforming of Platform: A Cautionary Tale

Between 2011 and 2017, in their attempts to corner a share of the burgeoning craft beer market, AB InBev purchased ten American craft breweries. With each acquisition, craft beer drinkers and supporters of locally owned breweries, such as myself, felt a sense of dismay and disappointment. In 2019, AB InBev purchased yet another craft brewery. For me this one hit a little closer to home. Platform Brewing Company was located in my state, Ohio. Platform’s home city of Cleveland is only two hours west of where I live. To the owners of Platform, the acquisition was greeted as a harbinger of so many good things for the brand. Platform would have access to the vast resources of AB InBev, thus allowing them to build their brand, while retaining autonomy in day-to-day decision making – the best of both worlds in other words. Sadly, less than four years after acquiring Platform. AB InBev did the unthinkable – they announced the closure of their Cleveland brewery. To me this was a tremendously sad announcement, not only because of the inevitable job losses, but also because Platform had delivered so much to the Cleveland craft beer scene.

Platform Brewing Company opened its doors on July 2, 2014. The new brewery was located in Cleveland’s vibrant Ohio City neighborhood. As with many other craft breweries across the country it engaged in adaptive reuse, with the brewery moving into an abandoned space that started life in 1915 as a Czechoslovakian social hall, complete with bar and bowling alley.  In an nod to the building’s history, Platform’s owners Paul Benner, Justin Carson, Shaun Yasaki and Greg Benner reclaimed as much of the building’s original floor as they could and used it for bar tops, flooring and signage. They placed a bowling machine close to the taproom’s entrance.

In addition to brewing and selling beer, Platform’s owners had a much more expansive vision for the brewery. Their desire was that it function as a small business incubator for budding home brewers who had a yearning to commercialize their hobby. Four times a year, one lucky individual got the opportunity to work as a brewer’s apprentice at Platform. From designing the recipe, to brewing the beer, and learning about the business side of running a brewery, the brewery aspired to provide a “platform” from which budding commercial brewers could learn.

Platform was also good for the Ohio City neighborhood. Darren Cross, owner of a nearby Cleveland Brew Shop, a home brewing supply store, credited Platform with being “a catalyst for getting the neighborhood going a bit”.

Within a few years of opening Platform was posting impressive growth numbers, and by 2018 was producing 27,000 barrels of beer. In addition to an ever-broadening distribution footprint, Platform opened up taprooms in both Columbus, OH and Cincinnati, OH. Such was Platform’s success, it was soon on the radar of the behemoth that is AB InBev and, in August 2019, the Belgian-based multinational corporation announced the acquisition of Ohio brewery. This was good news (right?), At least it was to one of Platform’s owners Paul Brenner. Commenting upon the acquisition, Benner had this to say:

“In speaking with the other craft brewery founders in Brewers Collective [A-B’s craft brewery arm], we know partnering with Anheuser-Busch means we will have the resources and the autonomy to bring our vision for Platform Beer Co. to life”

Furthermore, according to Benner:

“Being able to continue leading the day-to-day operations was an important factor in our decision and we have no doubt that this partnership will benefit our loyal staff and passionate customer base.”

In short, AB InBev would bring resources to the brand, while also respecting Platform’s autonomy. Surely this would ensure a bright future for the brewery; sadly, it did not.

In announcing the closure of the Cleveland brewery, AB InBev noted that it would continue to produce three beers that had been part of Platform’s portfolio. Interestingly, these are all IPAs – Haze Jude IPA, Odd Future Imperial IPA, and Canalway IPA. AB InBev did not say where these three beers would be produced. Commenting upon the closure one loyal Platform customer, David Sefcik, stated, “It’s just sad. It’s a sad thing that a big company would close something that means so much to the community”. I have to agree with Mr. Sefcik. It is sad, incredibly sad. A brewery that had once been an integral part of Cleveland’s craft beer scene being gutted by the world’s largest brewer, now reduced to three solitary beers.

So, what happened to Platform (and its beers) under AB InBev’s stewardship. In a highly insightful article published on GoodBeerHunting.com, Kate Bernot provides us with some clues. Among other things, Bernot suggests that AB InBev oversaw a decline in the sale of Platform beers in chain retail outlets such as grocery stores. In 2018, before being acquired by AB InBev, Platform produced 28,000 barrels of beer. In 2021, after the acquisition, the brewery’s production levels had dipped to 22,500 barrels. A major issue, according to Bernot, with respect to AB InBev’s oversight of Platform was “Inconsistent sales priorities and changes within ABI’s craft sales force”. One former post-acquisition Platform employee told Bernot, “Sales priorities changed at Platform pretty frequently and it was hard to get a grip on what our goals were” with the result that “sales team often struggled to maintain focus to build particular brands”.

Bernot uses some interesting language to capture AB InBev’s attitude towards Platform. Phrases such as “minor irritation”, “lost in the shuffle”, “a footnote, and left “by the wayside” indicate, to me at least, an owner who was not fit for purpose and negligent in their duty of care. It wasn’t that AB InBev were incapable of making Platform a success in the marketplace. It was quite simply that they did not seem to care enough to do so. Platform was just another brand in its a huge portfolio of 500+ brands; a brand that was both dispensable and expendable.

Defining Craft: Italians Do It Better

On the website of Amaracord, a craft brewery in the Italian town of Appechio, there is a graphic that proclaims, “Italians Do It Better“. They are, of course, referring to Italian craft beer. Whether Italian craft beer is better than that produced by craft brewers in other countries is, of course, a topic of debate. What I can say is that having visited Italy half-a-dozen times since 2013, the country does produce some excellent craft beer.

My most recent trip to Italy was just last month. I was there to visit the Gran Sasso Science Institute (GSSI) in L’Aquila where I made a presentation on craft beer at a workshop for PhD students and early career researchers. Part of my presentation addressed the issue of how craft breweries and craft beer are defined. Prior to my visit, I did quite a bit of research into the Italian craft beer industry, and discovered some interesting differences between how craft breweries and craft beer are defined in the United States and Italy respectively.

In the United States the generally accepted definition of a craft brewery is that provided by the Brewers Association (BA), a trade group representing the interests of craft brewers. According to the BA, to qualify as a craft, a brewery must meet three conditions:

  • It must be small. Annual production cannot exceed 6 million barrels (7 million hectoliters).
  • It must be independently owned. No more than 25 percent of the brewery can be owned or controlled (or equivalent economic interest) by a beverage alcohol industry member that is not itself a craft brewer.
  • It must brew beer and have a license to do so from The Alcohol and Tobacco Tax and Trade Bureau (TTB).

This is the definition that is used by most academic researchers, including myself. Its widespread acceptance and usage are also reflective of the fact that there is no legal definition of a craft brewery in the United States.

One of the shortfalls of the BA definition, in my opinion, is that while it defines a craft beer producer (i.e., a brewery), it does not define craft beer. The closest that the BA gets to defining craft beer is that it is “generally made with traditional ingredients like malted barley; interesting and sometimes non-traditional ingredients are often added for distinctiveness“. This leads me to ponder the question – can a large multinational corporation like AB InBev produce craft beer? In the absence of a definition of craft beer, this is a difficult question to answer. It is, as I will show later, an important question.

As I was to discover from my research, the question of defining a craft brewery and craft beer has been addressed by the Italian government. In 2016, Italy’s lawmakers passed legislation that defined a craft brewery as follows:

  • It must be small. Annual production cannot exceed 200,000 hectoliters (169,000 barrels).
  • It must be legally and economically independent.
  • It must be intellectually independent. A brewery cannot operate under license to use the intellectual property rights of others.
  • It must be physically separate from other breweries. Each brewery must have its own distinct production space.

In addition to the above, the 2016 legislation defined two key characteristics of the product, craft beer. To qualify as craft, beer must be both unpasteurized and non-micro-filtered.

For several reasons, the Italian definition of craft brewery and craft beer is superior to what we have in the United States, First, it is a legal definition. Second, it defines the required characteristics of both the brewery and the beer.

While some may not be particularly interested in how craft brewery and craft beer are defined, or whether they are defined at all, I would suggest that having legal definitions of these two concepts is important.

In 2020, Byron Jackson and Mario Mena Jr. filed a class action lawsuit against the brewing giant AB InBev. At the center of the lawsuit was Veza Sur Brewing Co., which is located in Miami, FL. In patronizing the Veza Sur Brewing Co., and drinking their beer, Jackson and Mena Jr. believed that they were drinking craft beer brewed by a craft brewery. Upon discovering that Veza Sur was owned by AB In Bev, they filed a class action lawsuit. As the plaintiffs’ complaint stated:

“Defendants make and sell beer under the name Veza Sur. Veza Sur pretends to be a craft beer made in Miami and with Latin roots. In reality, it is simply another one of the dozens of brands made by the largest brewer in the world, Anheuser-Busch. It has no authentic Latin roots, and is not even made in Miami. Defendants’ misrepresentations have deceived the Plaintiffs who thought they were purchasing a craft beer that was made in Miami by a small brewery”.

For purposes of full disclosure, I was retained by the legal firm (Twig, Trade, & Tribunal) representing the plaintiffs as an expert witness in this case. In August 2021, the lawsuit was dismissed by U.S. district court judge in Miami, FL. In other words, it never went to trial.

In dismissing the case, Judge Beth Bloom stated that the “Brewer’s Association’s definition of craft beer is but one definition of a term that is otherwise widely used and well known in day-to-day conversation. However, what a certain individual might determine to qualify as “craft” beer is necessarily a subjective one, depending on the individual’s tastes and interests.”

Judge Bloom’s statement was recognition of the fact that there is no legal definition of what constitutes either a craft brewery or craft beer. Of course, the definitional issue was only one aspect of this lawsuit. And so, even if there was a legal definition of craft brewery and/or craft beer in the United States, this would not have guaranteed a successful outcome for the plaintiffs. Indeed, if you read Judge Bloom’s opinion, it is unlikely that a legal definition of craft brewery and/or craft beer would have resulted in a positive outcome for the plaintiffs.

While a legal definition of craft brewery and/or craft beer may not have helped the plaintiffs in their case against AB InBev, it did get me thinking about the issue of having a legal definition of either or both of these. If a legal definition did exist, as it does in Italy, it would certainly un-muddy what are currently some very muddy waters. For example, is Shock Top, a Belgian Wheat beer brewed by Anheuser Busch, a craft beer? Can a multinational corporation produce craft beer? Is Space Dust IPA, brewed by Elysian Brewing Company a craft beer? Is Elysian a craft brewery. Elysian Brewing Company was established in 1995 in Seattle, WA by Dave Buhler, Joe Bisacca, and Dick Cantwell. In 2015, AB InBev purchased Elysian Brewing Company, with the result that the latter lost its status as a craft brewery with the Brewers Association. All the above questions, in the absence of a legal definition, are difficult to answer.

While I was at Rome Airport, waiting to board my bus to L’Aquila, I decided to have a beer. I opted for a beer called Birra ichnusa. From its label, it looks like a craft beer. It is also unfiltered. Brewed on the Italian island of Sardinia, Birra Inchusa has been around since 1912. Despite its appearance (on at least three criteria), it does not meet the Italian government’s definition of a craft beer. First, since 1986, the brewery has been owned by Heineken. Second, the brewery produces over 400,000 hectoliters of beer annually (making it too large to qualify as craft). Third, the beer is pasteurized.

I enjoyed a Birra Ichnusa at Rome Airport while waiting for my bus to L’Aquila

Whether we will ever have a legal definition of craft brewery and craft beer in the United States, I have no idea. If we did it would certainly bring clarity to a very unclear situation.

Hop Atomica

I was in Savannah, GA last month. As with many of my out-of-town trips, I was attending an academic conference. This time is was the annual meeting of the Southern Regional Science Association. My last visit to Savannah had been in 2007, so I was keen to reacquaint myself with the city. As usual, in advance of the trip, I did my homework on local craft breweries. My research uncovered six breweries – Coastal Empire Beer Company, Hop Atomica, Moon River Brewing Company, Service Brewing Co., Southbound Brewing Company, Two Tides Brewing Company. During my stay in Savannah, I managed to visit three of them – Hop Atomica, Moon River, and Service. Of the three, it was Hop Atomica that I found most interesting.

Opened in 2020, in the city’s Baldwin Park neighborhood Hop Atomica is both a brewery and a distillery. The brewery was about a 40-minute walk from my hotel, so when I arrived, I was ready for a beer. The bartender set me up with Base Tan, an American Pale Ale that came in at 6.1% ABV. After another Base Tan, I wound up my visit to Hop Atomica with New Math, a Session IPA that came in at 3.5% ABV.

Base Tan, an American Pale Ale, that came in at 6.1% ABV

There were a number of things that I really liked about Hop Atomica. First, apart from good beer, the brewery had a bartender who was friendly and knowledgeable. I admit that I was there at a time when there were few customers around and so Adam, my bartender, was in a position where he could engage with me and answer my questions about the beer and the brewery. For me personally, a knowledgeable bartender enhances my brewery experience. Many breweries recognize that the way in which brewery staff interact with patrons is important. Indeed, many craft breweries train their staff in the art of customer relations. In the case of a brewery, it is not enough to be friendly and attentive. Staff members, particularly bar tenders and wait staff, have to be knowledgeable (and passionate) about the product they are selling. This is where staff training takes center stage. At Bear Republic Brewing Co. in Rohnert Park, CA, for example, new bartenders have to complete Beer Boot Camp, during which they learn about the history of beer, specific styles, etc. New hires are also required to take and pass Cicerone’s Certified Beer Server Exam within 90 days of starting employment. In preparing for the exam, brewery staff will learn about a range of topics, including about different styles of beer, the use of proper glassware, how to pour beer etc.

Adam – one of Hop Atomica’s bartenders pouring my beer

The second thing that I liked about Hop Atomica, as I learned from my conversation with Adam, was that the brewery was housed in what had once been a gas station. It was an excellent example of what is called adaptive reuse – taking an unused abandoned building, putting it to a new use, and thus breathing new life into it. Adaptive reuse is a common practice in the craft brewing industry – breweries across the United States can be found in old churches, fire stations, banks, warehouses etc. There are numerous advantages to adaptive reuse, including maintaining cultural heritage and slowing the pace of urban sprawl. It also gives beer drinkers like me a unique and interesting venue in which to enjoy a beer.

Hop Atomica is housed in a building that used to be a gas station

Third, Hop Atomica has a program whereby it supports local artists. As I learned from, Adam, the brewery serves as a rotating gallery for local artists who can hang (and sell) their artwork. While I was sitting at the bar, there was a young lady hanging artwork on one of the brewery walls. The artist was Mahsa Yousefi, the owner of Moon Child Studio. Mahsa’s medium is Surreal Psychedelic Art, whose purpose is to “to display, psychologically, the realism of the unconscious mind”. The art was eye-popping and certainly added a rainbow of color to what was, when I walked in, a bare white wall. Just last week, I was in Yellow Springs Brewery in Yellow Springs, OH and was pleased to see that this brewery also provided wall space to support local artists. Craft breweries have a reputation for supporting their local community. Whether it’s raising money for local charities, serving as flexible community spaces for activities such as yoga classes, or organizing family friendly bike rides, craft breweries are constantly looking for opportunities to support the community that support them.

Mahsa Yousefi, the owner of Moon Child Studio, hangs some of her art
Yellow Springs Brewery in Yellow Springs, OH supports local artists by displaying and selling their work

While at Hop Atomica I posted on social media the fact that I was there. This prompted one of my friends to ask as to whether the name of the brewery had a connection to any local activity or historical event. In other words, did Savannah have some “atomic” connection. I had already left the brewery by the time my friend had posted the question, so I could not ask the bartender. But as always, there is Google, and a quick search showed that in 1958 there was a mid-air collision when an F-86 fighter plane collided with the B-47 bomber carrying a 7,600-pound (3,400 kg) Mark 15 nuclear bomb over Tybee Island near Savannah.  The collision saw the F-86 lose its wing and the fuel tanks of the B-47 suffered heavy damage. The pilot of the B-47, fearing the bomb would become detached during landing, ditched the bomb in the water below. Despite subsequent searches for the bomb, it was never found. Whether this event inspired the name of Hop Atomica I do not know, but it is a possibility.

Hop Atomica is a microcosm of many things that I like about the craft brewing industry – good beer, friendly and knowledgeable staff, breathing new life into a once abandoned building, and supporting the local community. Well done Hop Atomica.

Hello. My Name Is Vladimir

In a previous blog entry I wrote about Pravda Brewery, a craft brewery in the Ukrainian city of Lviv. Faced with an invasion by the Russian military the brewery transformed at least part of its production space into a Molotov Cocktail factory. It was the brewery’s contribution to local resistance efforts. The bottles that were used in the assembly of the Molotov Cocktails were those that, under normal circumstances, would be filled with a Dry-hopped Golden Ale (ABV 8.0%) called “Putin Huilo”, which translates as “Putin is a Dickhead“. The label has a picture of a naked Putin sitting on a throne.

The label from Putin Huilo beer from Pravda Brewery

Putin is not the only political figure to appear on the label of one of Pravda’s beers. The brewery also produces an American-style Stout called Obama Hope, a Belgian-style Wit called Frau Ribbentrop, and a Mexican Imperial Lager called Trump. The labels of these three beers have pictures of former U.S. President Barack Obama, former German Chancellor Angela Merkel, and former U.S. President Donald Trump on them respectively. All the labels carry political messages.

The label on Obama Hope refers to President Obama as “a symbol of democracy and a guarantor of the global justice” As such. one of the President’s main tasks is to “safeguard peace and to prevent a new aggressor from starting World War III”. The message on the label goes on to reference Russia’s 2014 annexation of Crimea. Pravda was clearly hoping (the beer is named Obama Hope after all) that the American President would step in and assist Ukraine in its fight against the Russian aggressor. Referencing the aforementioned invasion, the label states, “Obama is still hesitating to provide real help to the Ukrainians in fighting it”. In what could perhaps be interpreted as some words of warning to President Obama, the label concludes its message with the statement that Obama “has all the chances to go down in history as the one who got it all wrong”

The label from Obama Hope beer from Pravda Brewery

The political message on the Frau Ribbentrop label is clear. The brewery is critical on Chancellor Merkel’s stance on the the 2014 Russian invasion of Ukraine’s Donbas Region, particularly her refusal to supply Ukraine with weapons to fight the Russian invaders and her insistence that the Ukrainian government hold direct talks with Donbas separatists, with a view to a negotiated settlement. Many Ukrainians were irked by Merkel’s position and inundated her Facebook page with comments, including some that suggested she was a modern-day von Ribbentrop. The name Ribbentrop is a reference to Joachim von Ribbentrop who was the German Foreign Minister between 1938 and 1945, and who played a key role in the negotiation, on behalf of Germany, of a number of key treaties. These included the “Pact of Steel” that was signed between Germany and Italy on May 22, 1939 and established a formal alliance between the two countries and linked them politically and militarily. Von Ribbentrop also negotiated the German-Soviet Non-aggression Pact of August 23, 1939, which according to one source “cleared the way for Hitler’s attack on Poland on Sept. 1, 1939, thus beginning World War II”. As far as Pravda is concerned, both Merkel and von Ribbentrop were ut from the same cloth and were complicit in facilitating conflict in Europe.

The label from Frau Ribbentrop beer from Pravda Brewery

Not surprisingly, Donald Trump, the 45th President of the United States also has a Pravda beer named after him. The beer is, appropriately, a Mexican Imperial Lager with an ABV of 7.2%. The label refers to Mr. Trump as “President of the Divided States of America” (a characterization borrowed from Time Magazine when they named Mr. Trump as their Person of the Year in 2016). The label calls President Trump “the symbol for the final era of true politicians” (not quite sure what is meant by that), while also labeling him as both a “sexist” and an “ideal family man”. In the background, an individual holds “Free Melania: placard.

The label from Putin Trump beer from Pravda Brewery

Pravda is not the only brewery to have brewed a beer inspired by President Putin. In 2014, the irreverent Scottish brewery, BrewDog brewed a double IPA which it named, Hello, My Name Is Vladimir. 2014 was the year that the Russian city of Sochi hosted the Winter Olympic Games. In 2013, a new Russian law that banned the promotion of “non-traditional sexual relations” to minors came into effect. The passage of this law was the catalyst for a number of gay rights protests across the world. Many of these protests occurred a few before the start of the Sochi Olympics. BrewDog chose to join the protests by brewing a beer. The label on the beer had four images of President Putin, all showing the Russian President wearing lipstick. The messaging on the label pokes further fun at President Putin, with statements such as “I am 100% hetero and will pass laws to prove it”. The bottom of the label contains the warning that the beer is “not for gays”. James Watt, co-owner of BrewDog, sent a case of the beer to President Putin at the Kremlin. No one is quite sure what President Putin thought of the beer.

The label from Hello. My Name is Vladimir beer from BrewDog
BrewDog sent President Putin a case of their Hello. My Name is Vladimir beer to President Putin

In response to the Russian invasion of Ukraine a number of American craft breweries produced beers that featured the Russian President. Rogue Ales & Spirits of Newport, OR brewed a Double IPA (ABV 8.4%) called F*#K PUTIN. The one-pint cans were adorned with the colors of the Ukrainian flag, with all the profits going to the Global Giving’s Ukraine Crisis Relief Fund. Intuition Ale Works of Jacksonville, FL brewed a Belgian-style Tripel (ABV 8%) which it named Hey Putin, Go F*ck Yourself!. Intuition’s beer was brewed as part of a larger global initiative called “Brew for Ukraine“. The money raised by breweries participating in the Brew for Ukraine project supports aid agencies assisting Ukraine refugees displaced by the war.

F*#C Putin, brewed by Rogue Brewing of Newport, OR
Hey Putin, Go F*ck Yourself!, brewed by Intuition Ale Works of Jacksonville, FL

In 2018, the small Finnish craft brewery, Rock Paper Scissors Brewing, produced a beer to coincide with a 2018 meeting between Presidents Trump and Putin in Helsinki, Finland. The beer was called “Let’s Settle This Like Adults”. The beer’s label, which had cartoon versions of Trump and Putin fist-bumping, included the tagline “Making Lager Great Again”. The brewery sent samples of the beer to both the US and Russian Embassies in Helsinki.

Let’s Settle This Like Adults was brewed to coincide with a 2018 meeting between Presidents Trump and Putin in Helsinki , Finland

Politics can be a divisive topic of conversation. Americans are warned not to raise political issues over the dinner table at family gatherings such as Thanksgiving and Christmas. Maybe we should try to take our cue from Rock Paper Scissors Brewing and start to behave like adults when it comes to engaging in political dialog with family and friends (and strangers).

Brew For Ukraine

The Russian invasion of Ukraine in February 2020 captured the attention of the world. The pictures and videos emerging from Russian aggression are heartbreaking. Excluding Crimea, Ukraine has a population of just over 41 million people. In the first week of the conflict over a million Ukrainians ( mainly women, children, and the elderly) crossed international borders as the fled they horrors. By the end of April, 2022 that number had swelled to over 5.7 million. Most of these went to neighboring Poland. No one knows how many refugees this conflict will ultimately generate.

While looking on in horror, the international community has mobilized in efforts to provide assistance to both those who have fled Ukraine and those who remain. These include the U.S. Government, relief agencies such as the American Red Cross, and churches such as the Evangelical Lutheran Church in America. In communities across the United States, individuals and groups are also doing their part to raise funds for Ukrainian refugees. In Portland. OR, The Slavic Community Center of the Northwest held a fundraiser, while Jackson Henning, a 12 year old boy opened a Lemonade Stand in his hometown of Westmont, PA. In addition to these and other fundraising efforts, many craft breweries across the United States have also stepped up and are doing their part to support Ukrainian refugees.

Lakefront Brewery in Milwaukee, WI was the first American craft brewery to export their beer to Ukraine. Since 2016, Andy Jungwirth, Export Manager at Lakefront, has visited Ukraine on six occasions. During these visits he got to know the folks at Pravda Brewery pretty well. I wrote about Pravda Brewery in my last blog entry. Located in the city of Lviv, Pravda has shifted from brewing beer to producing Molotov Cocktails which are being used against the Russian invaders.

Such was the warmth of the relationship between Jungwirth and Pravda Brewery that Lakefront and Pravda collaborated on brewing a couple of beers, including an India Pale Lager, which they named Lviv-Milwaukee”. Given this close relationship between the two breweries, it is not surprising that news of the Russian invasion sparked a response from the American brewery. Walk into Lakefront today and purchase a 32 ounce crowler and you will find it wrapped in a specially designed blue label emblazoned with a caricature of Vladimir Putin with the words “Putin is a Dick” across his forehead. Funds raised from sale of these crowlers will be deposited with the National Bank of Ukraine, who will use them to provide humanitarian assistance to Ukrainians impacted by the Russian invasion. Lakefront hopes to raise at least $10,000 from the sale of its crowlers.

Specially wrapped “Putin is a Dick” crowlers from Lakefront Brewery. Source: LakefrontBrewery.com.

As noted above, Pravda Brewery has been very hands-on in its efforts to fight back against the Russian military. In addition to producing Molotov Cocktails, the brewery has made available the recipes for five of their beers. The beer recipes have been released as part of the “Brew for Ukraine Crisis Relief Project“. Participating in the project involves brewing at least one of the five beers and making a voluntary contribution to Pravda’s relief fund. Donations to the fund will be directed to the appropriate non-profits operating in Ukraine. The five beers, for which recipes have been made available are Putin Huylo (Dry Hopped Strong Ale), Syla (Belgian Tripel), Red Eyes (American Red Ale), and Frau Ribbentrtop (Belgian Witbier), and From San to Don (Ukrainian Imperial Stout). The beers are being branded as comprising the Victory Series. To date, breweries in Australasia, Asia, Europe, North America, and South America are participating in the initiative and are brewing at least one of these beers.

Breweries from five continents are participating in the Brew For Ukraine initiative (Source: https://www.brewforukraine.beer/)
Breweries across the United States are participating in the Brew For Ukraine initiative (Source: https://www.brewforukraine.beer/)
Catawba Island Brewing Company in Port Clinton, OH is one of the American breweries participating in the Brew for Ukraine initiative (Source: https://www.facebook.com/CatawbaIslandBrewingCo)

One aspect of the craft brewing industry that has always impressed me is its collaborative nature, and the willingness of breweries to rally around and step up to support a worthy cause. The Brewing for Ukraine initiative is an excellent example of this. But it is not the first. Other examples abound. in 2018, over 1,400 breweries in the United States participated in the Camp Fire initiative. Organized by Sierra Nevada Brewing Co., this effort raised millions of dollars to support those impacted by northern California wildfires. Participating breweries were invited to brew Resilience Butte County Proud IPA. In 2020, Other Half Brewing rallied brewers around the world to raise money for the hospitality industry that had been impacted by COVID-19. They did so by creating a recipe for a beer called All Together IPA. The recipe, as is common in such projects was open source and so was available to all breweries who wanted to participate.

Of course, the Brewing for Ukraine initiative will not change the course of the war in Ukraine. But it will provide vital relief to some Ukrainians who have been impacted the Russian invasion. As individuals, who watch in disgust and horror at the pictures/videos emerging from Ukraine, we can feel helpless. However, there are myriad opportunities to donate some money to help both those who have fled Ukraine and those who remain there. Next time you pop along to your local brewery, you might just find another way in which you can donate.

Putin Is A Dickhead

As I write this blog entry the world watches on in horror at the atrocities committed by the Russian military as their invasion of Ukraine continues unabated. The images flashing across our television screen (and the screens of our smart phones and other smart devices) are heart-wrenching. The man behind these atrocities, of course, is the Russian President Vladimir Putin.

All of us follow the events in Ukraine with varying degrees of intensity. For me, I read and see enough to keep up with general contours of the conflict. As The Beer Professor, a lot of my time on the internet is spent looking for interesting stories about the brewing industry. But in one of my recent searches I came across a story where my interest in the brewing industry intersected with events in Ukraine. The headline varied from news outlet to news outlet, but they generally read something like this: “Brewer Swaps Making Craft Beer for Molotov Cocktails”. The brewery in question is Pravda Brewery in western Ukrainian city of Lviv.

For the uninitiated, a Moltotov Cocktail is a handheld petrol bomb that is “emblematic of civil unrest and revolution“. Somewhat ironically, Molotov cocktails take their name from the Russian politician Vyacheslav Molotov, who served as the Soviet Union’s foreign minister during World War II. The name is Finnish in origin (Molotovin Koktaili) and first appeared in our lexicon during the Soviet invasion of Finland in 1939. The actual device, however, pre-dates this event. The first use of Molotov Cocktails dates back to Spanish Civil War (1936-1939), where they were used by Franco’s Nationalists as a weapon to demobilize the Republican’s Soviet-supplied T-26 tanks.

Shortly after the Russian invasion of Ukraine, Yuriy Zastavny, owner of Pravda Brewery decided to repurpose its production space to supply his fellow Ukrainians with Molotov Cocktails. Molotov Cocktails are very simple to manufacture. All that is needed is a glass bottle, gasoline, kerosene, or alcohol, and a piece of cloth (to function as a wick).

Molotov Cocktails produced by Pravda Brewery in Lviv, Ukraine
This short video tells the story of Pravda Brewery converting its production space to produce Molotov Cocktails

The labels on the bottles used for Pravda’s Molotov Cocktails have a picture of a naked Putin sitting on a throne. Also on the label are the words “Putin Huilo”, which translates as “Putin is a Dickhead“. When I first saw the label on the Molotov Cocktail, I thought that the label had been specially designed with its new function as an incendiary device in mind. I was wrong. Putin Huilo is a Dry-hopped Golden Ale (ABV 8.0%) that is part of the brewery’s regular portfolio of beers, and has been brewed for a number of years. The label provides some additional background about the beer and the surrounding political context. The label, for instance, mentions Russia’s annexation of Crimea in 2014 (which coincidentally was the year that Pravda Brewery was established). The label also notes that “Putin Huilo” is a worldwide nickname for the President Putin and also an “international chant first performed during a common march by FC Metalist and FC Shakhtar in March 30, 2014”. That got me curious – so I did a bit of googling.

The label on Putin Huilo provides the political context for the beer’s name

FC Metalist Kharkiv and FC Shakhtar are Ukranian soccer teams. Of the two, I am most familiar with Shakhtar Donestsk. Shakhtar play in the top flight of Ukranian soccer and in recent recent years have been regular participants in the Champions League – Europe’s premier and most prestigious soccer competition. In contrast, Metalist Kharkiv play in the second tier of Ukrainian soccer. They have an interesting history in that that they ceased operations in 2016, as a result of financial insolvency (they owed their playing staff 32 million Euros in back pay). The club was re-established in 2020. According to Wikipedia, the first recorded public performance of the  chant (and the song that grew from it) occurred in March 2014 in Kharkiv when Metalist fans chanted in a march through the city’s streets. The chant was partly in response to Russia’s 2014 annexation of Crimea. Several Ukrainian rock bands have included the chant in some of their music. According to journalist Alex Luhn, writing in Britain’s Guardian newspaper, the chant quickly became “a nationwide cultural meme“. Rival soccer fans came together, put their rivalries to one side, and chanted the chant in street marches in various Ukraininan cities. In a soccer match between Belarus and Ukraine in October 2014, fans from both country’s joined together in the chant during the game. A number of fans were arrested. Eight Ukrainian fans were given a jail sentence by a court in Minsk, the capital of Belarus, while some Belarus fans were fined. The video of fans chanting has been removed from the YouTube platform.

The video of soccer fans from Ukraine and Belarus chanting “Putin is a Dickhead” is no longer available on the YouTube platform

As I read about Pravda Brewery and the decision to produce Molotov Cocktails, I could not help but smile and think to myself about how typical this action was. Craft breweries all over the world try to be good citizens and strive to make a positive difference to the vibrancy and quality of life in their respective communities. In doing so, many try to respond to the needs of their patrons and neighbors, whether that be donating some profits to a local charity or transforming part of their space into a temporary yoga studio for a local yoga group. In turning their brewery into a production space for Molotov Cocktails, Pravda Brewery are providing a community service and are responding to the needs of the local community. To Pravda I say Будьмо (Cheers).

2021 Year In Review

As per usual, I end the year with a pictorial review of the breweries and taprooms that I have visited during the previous twelve months. While the situation with respect to COVID-19 did improve during 2020, the virus did hang around, restricting my travel for significant parts of the year. While personal travel was a little easier this year, professional travel to academic conferences continued to be highly restricted. With respect to visiting breweries and taprooms, I did visit 22 in 2021, slightly less than the 26 that I visited in 2020. In a non-COVID 19 year I typically visit over 60 breweries/taprooms.

Before providing more statistics on my 2020 visits, let me explain the difference between a brewery and a taproom. The difference is quite simple. A brewery is an establishment where beer is produced, whereas a taproom is an establishment owned by a brewery that sells but does not produce beer on-site.

Of the 20 breweries that I visited, 10 were in my home state of Ohio and 10 were in other states. Outside of Ohio I visited breweries in Indiana (4 visited), Michigan (3), Colorado (2), and Texas (1). Most of the Ohio breweries that I visited were in the northwest Ohio region, the two exceptions being in Cincinnati. Both of the taprooms that I visited were in northwest Ohio. Of the 12 Ohio establishments that visited, six were ones that I visited for the first time. Of the 10 non-Ohio breweries that I visited, all but one were new visits – the exception being Hop & Sting Brewing Co. in Grapevine, TX. In the lists below, establishments that I had visited before are indicated in italics.

As per usual, I have posted one photograph from each of the breweries/taprooms that I visited during 2021. I hope you enjoy them. At the time of writing, Dr Tedros Adhanom Ghebreyesu , Director-General of the World Health Organization , is optimistic that COVID-19 will be “beaten in 2022“. I hope that his optimism is well-founded and that we can all look forward to a happy and healthy New Year.

Ohio Breweries (10)

Non-Ohio U.S. Breweries (10)

Ohio Taprooms (2)

Buffalo Rock Brewing Company, Waterville, OH
Wynkoop Brewing Co., Denver, CO
Sun King Brewing (downtown), Indianapolis, IN
Dead Low Brewing, Cincinnati, OH
Metazoa Brewing Company, Indianapolis, IN
Denver Chop House & Brewery, Denver, CO
Wild Side Brewing Company, Grand Rapids, OH
HOMES Brewery, Ann Arbor, MI
Neon Groundhog Brewery, Grand Rapids, OH
Hop & Sting Brewing Co., Grapevine, TX
Inside The Five Brewing Company, Sylvania, OH
Ellison Brewery + Spirits, Indianapolis, IN
March First Brewing, Cincinnati, OH
Maumee Bay Brewing Company, Toledo, OH
Dead Bear Brewing Co., Grayling. MI
American Brewery, Wauseon, OH
60cc Brewing, Toledo, OH
Paddle Hard Brewing, Grayling, MI
St. Joseph Brewery & Public House, Indianapolis, IN
HEAVY Beer Co., Toledo, OH
Inside The Five Brewing Company, Perrysburg, OH
Earnest Brew Works (downtown), Toledo, OH