Category Archives: Craft Beer

A Pint of Science

Earlier this week, I spent a couple of days in L’Aquila, Italy. I was there as a guest of the Gran Sasso Science Institute (GSSI), who had invited me to give a couple of talks. This was my second visit to L’Aquila. I had been there in September 2017, also as a guest of GSSI. To get to L’Aquila, you fly into Rome, and then travel by bus for two hours. L’Aquila has a population of approximately seventy thousand people. It is an interesting town for a number of reasons, one of which is the fact that it is earthquake prone. The most recent earthquake, on April 6, 2009, registered a 6.3 on the Richter scale and killed 308 people. Its impact is still visible throughout this picturesque Italian town. Since my last visit in September, however, I noticed visible signs of progress – buildings that had been empty were now inhabited and in use, while others were closer to being so.

The damage caused by the 2009 earthquake is still visible in L’Aquila

The purpose of my visit this time was to give two lectures – one to this year’s cohort of GSSI doctoral students in Regional Science and Urban Studies, and one to members of the general public as part of the Pint of Science Festival that was taking place in town.

My presentation to the GSSI students focused on the theme of consolidation and fragmentation in the global brewing industry. Both processes are impacting the industry simultaneously. For example, the October 2016, $106 billion acquisition of SABMiller by AB InBev resulted in an industry that is considerably more consolidated at the global scale. At the same time, at the local scale, the industry becomes more fragmented every time a new craft brewery opens it doors.

My presentation at GSSI was in the afternoon. In the evening, I was back at the podium again. This time the audience took on a very different composition – it was the good citizens of L’Aquila. The town had been chosen as one of the venues for the three-day Pint of Science Festival; a festival at which that scientists present their research to members of the general public in the informal setting of a bar/pub.

Pint of Science was started in 2012 by Dr. Praveen Paul and Dr. Michael Motskin, two research scientists at Imperial College in London, UK. At the time, Paul and Motskin were post doctoral researchers working on motor neuron and Parkinson’s disease respectively. While working in London, Paul and Motskin organized a “Meet the Researchers” event, in which they invited individuals impacted by the disease (both those with the disease and their families) to their laboratories to see, first hand, the research in which they were engaged. It was a huge success, and very quickly the idea of taking scientific research to the people emerged – hence, a Pint of Science was born.

According to the Pint of Science website:

“The Pint of Science festival aims to deliver interesting and relevant talks on the latest science research in an accessible format to the public – mainly across bars and pubs. We want to provide a platform which allows people to discuss research with the people who carry it out and no prior knowledge of the subject is required.”

In 2018, Pint of Science Festivals were held in over 260 cities, across twenty-one countries. In Italy, twenty cities hosted Pint of Science events. All Pint of Science events across the world were held on the same three days – May 14-16.  Three venues hosted the events in L’Aquila. Over the three days, in L’Aquila, a total of sixteen lectures were presented. The topics were wide ranging, and included Chasing Gravitational Waves, Who’s Afraid of Social Media, and Living Together: From Municipalities to Cohousing and Beyond. My own lecture was titled Making Your Beer Great Again.

The Pint of Science Festival in L’Aquila covered a wide range of topics

The venue for my lecture was Fratelli Il Bacaro, which describes itself as:

”a Venetian tavern with a wide selection of wines by the glass and small snacks, a few seats and . . .  a place where dishes from the local and Italian culinary tradition are also served . . . a place to make culture, where young singers and musicians, who want to express themselves and grow through music, alternate with great artists.”

My lecture started at 9:30pm. The venue was cozy, and comfortably full with somewhere between thirty-five and forty people. Recognizing that the audience’s knowledge of English was probably highly variable, my colleague Giulia Pezzi had translated my entire Power Point presentation into Italian. I covered five themes in my lecture:

  • The rise of large breweries and the homogenization of beer
  • The emergence of home brewing and the rise of craft breweries
  • The craft beer drinker and what attracts him/her to craft beer
  • The craft brewery as a unique drinking space
  • The geography of craft breweries

While most of my material came from the United States, I did incorporate some examples from Europe. The talk seemed to go well, and the audience appeared engaged. After I had finished, audience members were invited to ask questions. There were six or seven questions, and I was really impressed with their overall thoughtfulness and insightfulness.

My participation in L’Aquila’s Pint of Science Festival did garner some attention in the Italian press, including a mention in La Repubblica, one of the country’s most influential daily newspapers. The local L’Aquila website, NewsTown, also covered my visit.  I was also interviewed by Fabio Iuliano, who runs the website virtuquotidiane.it.  Fabio’s interview touched on a number of interesting issues, including the reasons behind the success of craft brewing in the United States, and status of craft beer in Italy. He also noted that Bob Dylan was a recent co-investor in a craft whiskey distiller, Heaven’s Door. Fabio was interested in the similarities behind craft distilling and craft brewing industries. Fabio’s final question had to do with the President of the United States, Donald Trump. He wanted to know if the title of my lecture, “Making Your Beer Great Again” had been inspired by President Trump”s slogan “Make America Great Again”. I explained that while my presentation’s title was a clear nod to the President’s slogan, it was not intended as a political statement; I was simply having a little fun with my title. As I reflected on my interview with Fabio, I must admit that I had not anticipated being asked about Bob Dylan and President Trump in an interview about craft beer.

So that was my trip to L’Aquila. I had a wonderful visit and was, yet again, overwhelmed by the generosity of my Italian hosts. Fortunately, it will not be long before I am back in L’Aquila. I will be there in early July to participate in a workshop on “The Geography of Craft Beer Brewing and Consumption: Local Entrepreneurialism and Tourism Development”, an event that I am co-organizing with my Italian colleagues, Alessandra Faggian and Giulia Pezzi.

Until then, Saluti!

My colleague, Giulia Pezzi, introducing my lecture at A Pint of Science
There was a nice sized crowd at my Pint of Science lecture

Further Reading:

Paul, Praveen and Michael Motskin. Engaging the Public with Your Research. Trends In Immunology, Volume 37, Number 4, pp. 268-271.

Craft Beer And Millennial Values

It has been pretty well established that it is the Millenial cohort who are driving consumer demand for craft beer. According to Michael Dimock of the Pew Research Center, Millennials are those individuals born 1981 and 1996; making them between the ages of twenty-two and thirty-seven. We know quite a lot about Millennials. Thanks to market research firms,  public opinion researchers, and fact tanks such as Nielsen, Gallup, and the Pew Research Center, we have a lot of data and information about Millennials as citizens, voters, and consumers. Research on Millennials often compares them to preceding generations – Generation X (born 1965-80), Baby Boomers (1946-64), and the Silent Generation (1928-1945). And what we have learnt is that each generation has unique values and perspectives.

Different generations defined. Source: Dimock 2018

One study that I read recently, was published by The Boston Consulting Group (BCG). It was titled, How Millennials Are Changing the Face of Marketing Forever. The study report included a number of interesting graphics, including the one below (Exhibit 1). The graphic shows the relative importance that Millennials and non-Millennials attach to a number of different factors. These include patriotism, professional success, spirituality, and working out.

Source: Barton et al. 2014.

As I perused the findings of BCG’s research, I tried to identify connections between craft beer and Millennial values. Here is what I think I identified.

Status

BCG identify status as a value that is important to Millennials. A number of scholars have suggested that craft beer is a high status product. These include my good friend Tom Bell and his colleague James Baginski who, in a 2011 paper published in the Southeastern Geographer, refer to craft beer as a “high order prestige good”. Similarly, in a book chapter published in the same year, Victor and Carol Tremblay talk about the  “prestige factor” of drinking craft beer. In a 2012 paper published in British Food Journal, Douglas Murray and Martin A. O’Neill, published in the British Food Journal, suggest that the craft beer drinker is “sophisticated” and “discerning”. The same observations have been made with regard to real ale drinkers in England, where Karl Spracklen, Jon Laurencic and Alex Kenyon, in a 2013 paper in Tourist Studies, note that drinking “real ale is seen as a marker of good taste and distinction”.

Millennials enjoying a beer at Basecamp Brewing Company in Portland, OR

Luxury

According to BCG, luxury is another characteristic valued by Millennials. Craft beer, I would argue, is a luxury product. More specifically, it is an affordable luxury. To the French-American author, Mireille Giuliano, luxury means ”premium quality and that doesn’t always equate to known brands or mascs marketing”. Speaking specifically about the Millenial cohort, Max Montgomery defines affordable luxury as “achieving quality, tailored to our taste, at a price we can afford.” Craft beer, it would seem, qualifies as an affordable luxury. Compared to mass produced beer,  craft beer is relatively expensive. Of course, the price you pay for beer depends upon where you live. In 2017, the cost of a case of Bud Light or Miller Lite varied from $14.62 in Michigan to $21.98 in Pennsylvania.  In comparison, the average cost of a case of craft beer, nationwide, in 2017 was $32 – that’s $1.33 a bottle – definitely what I’d call an affordable luxury.

Craft beer is an affordable luxury (Backcountry Brewing, Squamish, BC, Canada)

Excitement/Adventure/Travel/Fun

MiIlennials like excitement, adventure, travel, and fun. All four can be experienced in the consumption of craft beer.  In 2013, A. J. Carpenter and his fellow students completed a term paper for their Marketing 6069 class (Buyer/Consumer Behavior) at University of Colorado, Denver. In it, they identified four types of craft beer drinker – novice, loyalist, enthusiast, and explorer. According to Carpenter et al’s study, Most craft beer drinkers are either enthusiasts or explorers. While there are some key differences between enthusiasts and explorers, one trait they have in common is their desire to try lots of different craft beers and to visit lots of different craft breweries. In other words, drinking craft beer is an exciting adventure; an adventure that takes the craft beer from tap room to tap room to taste the beer at its point of production. This idea that craft beer drinkers are excitement seeking adventurers is supported by the growing popularity of craft beer tourism. Annually, more than ten million Americans go on a brewery tour. Ale trails are increasingly common and help beer tourists strategically navigate a city or region’s craft breweries. The term ‘beercation’ has entered the lexicon of the craft beer drinker. Craft beer festivals (literally dozens of them occur every year across the United States) attract the craft beer aficionado and allows her to sample a wide variety of beers within the time frame of an afternoon, evening, or weekend. At the same time, the highly popular app Untappd enables the craft beer drinker to log the beers he consumes, while enjoying the fun of earning badges along the way.

Millennial beer tourists at Heist Brewery in Charlotte, NC

Charity

Brew Good Do Good is the motto of Black Cloister Brewing Company in Toledo, OH

With one of two exceptions, craft breweries are owned by people living in the community in which they are located. As a result, craft brewery owners tend to very committed to the well-being of their communities. To this end, they tend to be very supportive of local charities. The media is replete with specific examples of  craft breweries giving to and/or supporting good causes. Brian Yaeger refers to craft brewers as “liquid philanthropists”.  And craft breweries tend to be more generous in their charitable giving than the macro-Brewers. In 2014, craft breweries gave $3.25 for every barrel of beer brewed. In contrast, AB InBev, through its charitable organization, gave only $0.35 per barrel. As the motto of one of my local craft breweries in Toledo, OH (Black Cloister Brewing Company) proudly states – “Brew Good, Do Good”.

Change and Optimism

Change and optimism are Millennial values. Both are abundant in the craft brewing movement. Craft breweries are agents and representatives of change. From a handful of craft breweries in the mid-1980s, the number of craft breweries in the United States now exceeds six thousand. Craft breweries account for 12.7% of the American beer market by volume and 23.3% by dollar sales. These numbers represent change; dramatic change. But the change is not just found in the numbers. The change can be experienced with our eyes, our ears, our noses, and our taste buds. I experience  it ever time I walk into the taproom of a craft brewery and see it filled with young people; men and women, enjoying a beer that has been carefully and lovingly crafted by the brewmaster. I hear it every time I listen to two or more people discussing the finer points of an IPA or debating which craft brewery is producing the most innovative brews. I smell and taste it when I lift that an IPA to my lips and I smell and then taste the aroma and bitterness of the hops. More than anything, I would submit that craft beer’s success happened because its early pioneers had optimism – an optimism that hinged on the belief that there were enough Americans out there who wanted better beer. It is an optimism that resurfaces every time a new craft brewery opens it doors.

Enjoying the taste of optimism at Mad Anthony Brewing Company in Fort Wayne, IN

There are a couple of values that appear in the upper left hand (non-Millennial) quadrant of Exhibit 1 that surprised me. Surprised me in the sense that I would have perhaps expect them to be values that resonated with a Millennials. Two in particular are authenticity and craftsmanship. Authenticity is a particularly slippery concept. And I really don’t want to get into any of the authenticity debates here. Suffice to say, that at the 2017 Craft Brewers Conference, Brewers Association Bob Pease identified the four pillars of the craft brewing  movement – independence, spirit, community-mindedness, and yes, you’ve guessed it, authenticity.  As for craftsmanship, one might have also expected that to be more important to Millennials, than indicated by the BCG study.

Further Reading:

Barton, Christine, Lara Koslow, and Christine Beauchamp. 2014. How Millennials are changing the face of marketing forever. Boston: The Boston Consulting Group.

Dimock, Michael. 2018. Defining generations: Where Millennials end and post-Millennials begin. Pew Research Center FactTank, March 1.

It’s A Bird, It’s A Plane, It’s Super Bock

I just returned from five days in Portugal. While there I gave two talks about beer. The first titled ‘Drinking Beer in the Digital Age” was presented to a meeting of The Regional Science Academy, while the second titled ‘Changes in the Global Brewing Industry’ was Continue reading It’s A Bird, It’s A Plane, It’s Super Bock

George Carlin, A Toledo Window Box, And A Beer Brewed In Texas

A common practice in the modern craft brewing industry is for breweries to name some of their beers after local landmarks, natural landscape features, historical figures, historical events etc. Without looking beyond the state of Ohio, there are many examples of this. Continue reading George Carlin, A Toledo Window Box, And A Beer Brewed In Texas

Craft Beer in The Mile High City

I just  returned from two days in Denver, CO. I was there conducting site visits at three hotels. One of the hotels will host the 2021 North American Meetings of the Regional Science Association International (RSAI). As Executive Director of the North American Continue reading Craft Beer in The Mile High City

The Brotherhood of Beer

As a beer drinker I have always been impressed by the friendliness of everyone associated with the craft brewing industry. I have interviewed, formally and informally, a number of brewers over the years and have found them to be always willing to share their views on the industry in general and their brewery in particular. My own Continue reading The Brotherhood of Beer

Craft Beer in Italy

I was in Italy a few weeks ago. As with many of my trips these days, I went there to talk about beer. My first talk was to doctoral students in the Urban Studies and Regional Science program at the Gran Sasso Science Institute in L’Aquila. The seminar I taught provided a broad overview of the growth of craft beer in the United States, Continue reading Craft Beer in Italy

Why Vermont?

A few weeks ago I received an e-mail from Will Gordon, a writer for Men’s Journal. He had a very simple question – why did the state of Vermont have the largest number of craft breweries per capita? According to data provided by the Brewers Association The Green Mountain State has 10.8 breweries per 100,000 residents – more Continue reading Why Vermont?

Wonderful, Wonderful Copenhagen

This is my third entry about my recent trip to Copenhagen, Denmark. You can read my other two entries here and here. I was there to attend, Beeronomics 2017, the biennial conference of the
Beeronomics Society. Continue reading Wonderful, Wonderful Copenhagen

Il Locale

I was in Copenhagen, Denmark a few weeks ago. I was there attending the fifth biennial conference of the Beeronomics Society. It was my first visit to Copenhagen; my first visit to Denmark, in fact. So I was keen to explore the Danish beer scene. I was there for six days and did indeed get to visit a couple of Danish craft breweries while there, as well as sample a good number of Danish craft beers. What I did not anticipate, however, was drinking a goodly amount of Italian Continue reading Il Locale