Tag Archives: The Casual Pint

Craft Beer and The Paradox of Choice

A recent article in the New York Times suggested the emergence of a new trend in the world of craft beer. In an industry where brewers have provided consumers with an almost endless choice of beer styles and variations thereof, Joshua Bernstein suggests that brewers and retailers are cutting back on the number of different beers they offer. As an example, Bernstein cites Suarez Family Brewery in Livingston, NY who used to offer its customers eight different beers. That was pre-COVID-19 pandemic. Post-pandemic they have shrunk that number to two craft beers. Indeed as I started writing this blog entry I visited the Suarez website and, sure enough two beers were available for taproom visitors to purchase – Qualify Pils and Hecto Hoppy Pale Ale. Retailers such as Whole Foods have also been reducing the number of different beers they offer customers, partly to be able to devote more shelf space to faster growing segments such as Ready-to-Drink cocktails.

In making the decision to produce only two beers, the owners of Suarez Family Brewery are partly inspired by “the model of traditional European taverns and breweries that serve only one or two beers at a time”. On two recent trips to Europe I experienced this phenomena. In Osnabrück, Germany I spent an evening in Rampendal Brewery where my choice of beers were a Dunkel, a Weizen, and a Helles Lager. At Brasserie du Molard, a nice little brewery in the heart of Geneva, Switzerland, I was similarly offered a choice of three beers – a Witbier, a Lager, and an Amber Ale.

Rampendahl Brewery in Osnabrück, Germany where my choice of beers were Dunkel, a Weizen, and a Helles Lager

Craft breweries who have opted to downsize (or who never upsized in the first place) offer a number of explanations. According to Dan Suarez of Suarez Family Brewery, too many beers on tap can cause customers “a lot of agony over choosing”. This is an interesting observation, and one supported by Barry Schwartz, a Professor Emeritus in Social Theory and Social Action at Swarthmore College. One of his areas of research, sitting at the intersection of psychology and economics, is consumer decision making. In 2004, Schwartz published a book titled “The Paradox of Choice”, which carried the subtitle “Why More is Less”. It is a fascinating read. The basic premise of Schwartz’s thesis is Americans have too many choices, whether that be when purchasing a breakfast cereal, a coffee maker, or an automobile. Intuitively, we think of choice as a good thing and more choice as better than less choice. Schwartz, however, suggests that while some choice is good, too much choice is bad. It is bad because it generates anxiety for the individual making the choice.

As noted by Schwartz (p. 5), “autonomy and freedom of choice are critical to our well being, and choice is critical to freedom and autonomy. Nonetheless, though modern Americans have more choice than any group of people ever has had before, and thus, presumably, more freedom and autonomy, we don’t seem to be benefiting from it psychologically”

We are victims of and suffering from what some have termed choice overload. Too much choice taxes our cognitive systems. We feel overwhelmed. We second-guess ourselves, wondering if we made the best decision. The more choices we have, the more likely we are to be less satisfied with the decision we make, perhaps even regretting it. Anyone who has stepped into a Home Depot and picked out a new paint color for their master bedroom will know what I mean. If a company offers a product (say a coffee maker) with a large number of feature variations and in a wide variety of styles/colors consumers may struggle to figure out which one is best for them. Choice overload can cause us to feel overwhelmed and even delay decision-making.

Interestingly (at least I find it interesting) the term choice overload was coined by Alvin Toffler in his 1970 book Future Shock. Not only did he coin it, but he predicted it. Looking to the future Toffler suggested “the people of the future may suffer not from an absence of choice, but from a “paralyzing surfeit of it.” (p. 264). While Toffler was primarily focused on information overload, his basic premise also applies to products.

The Paradox of Choice by Barry Schwartz

In their 1998 Annual Report, the Federal Reserve Bank of Dallas provided data on the overwhelming number of choices facing consumers. They did so by comparing the early 1970s to the late 1990s. For example, in the early 1970s Colgate offered consumers the choice of two different toothpastes. By the late 1990s consumers could choose from 17 different toothpastes. Over the same period, the number of television screen sizes increased from 5 to 15, McDonalds’ menu items from 13 to 43, and Frito Lay chip varieties from 10 to 78.

What about beer? In same report the Dallas Fed reported the number of SKUs (aka Stock Keeping Units) for a variety of retail items. An SKU code is a “unique code consisting of letters and numbers that identify characteristics about each product, such as manufacturer, brand, style, color, and size.” For example, if a manufacturer introduces a new product (e.g., a new breakfast cereal) or the same product in a different size (e.g., 36oz in addition to 24oz) it is assigned its own unique SKU. Between 1980 and 1998, the number of SKU codes for beer increased from 25 to 187. This was, of course, before the craft beer revolution went into overdrive. Between 2008 and 2015, the number of craft beer SKUs increased from 2,274 to 7,400. While the number of craft beer SKUs have dropped in recent years, the amount of choice availability to craft beer drinkers remains extensive.

The increasing number of craft breweries (there are now over 9,000 in the United States) and SKUs definitely give the craft beer drinker more choice. But is it too much? Carlos Brito seems to think so. In 2016 interview, the then CEO of Anheuser Busch suggested that craft beer consumers were “tired of choice”. Hardly a surprising statement from the man whose company was seeing their market share being eroded by increasing consumer demand for craft beer. As Bob Pease, President and CEO of the Brewers Association suggested, “It’s a hypothesis being willed into existence for the greater good of one brewery.”

Most craft beer drinkers disagree with Mr. Brito’s assessment. Indeed, a survey conducted in the same year found that 58% of craft beer drinkers craved even more flavor options than were available to them at that time. A 2013 study examining the behaviors of craft beer drinkers noted that a large number of craft beer drinkers “find satisfaction in discovering new beers and breweries” For such drinkers, “loyalty to one brewery will be difficult . . . if new products are not constantly being offered.” This is why most craft breweries offer patrons to opportunity to try five or six of its beers by purchasing a flight. The growth of beer tourism is another indicator that craft beer drinkers yearn choice. A 2016 study by Jennifer Francioni and Erick T. Byrd found that the main reason individuals engage in beer tourism is to taste new beer.

A flight of beer at Ill Mannered Brewing Company in Powell, OH

An interesting exception to choice overload are individuals who consider themselves to be ‘experts’ with regard to the product they are choosing. A 2014 paper by Alexander Chernev and his colleagues note that “it has been shown that for consumers who are unfamiliar with the product category, choices from larger assortments are more likely to lead to choice deferral and weaker preferences for the selected alternative than choices from smaller assortments. In contrast, for expert consumers, the impact of assortment size is reversed, leading to greater likelihood of choice deferral and weaker preferences for the chosen alternative in the context of smaller rather than larger assortments”. In other words, people with product knowledge may have a tougher time choosing when they have a smaller number of options from which to choose.

Choice abounds at Yellow Springs Brewery in Yellow Springs, OH

The extent to which craft beer drinkers are ‘experts’ when it comes to the product they consume can, I am sure, be debated. Some craft beer drinkers are undoubtedly more knowledgeable than others. Indeed, in the aforementioned 2013 study of the behaviors of craft beer drinkers, the authors identify four types of craft beer drinkers – enthusiasts, explorers, loyalists, and novices. Of the four types, enthusiasts are the most knowledgeable craft beer drinkers, priding “themselves on trying all the different beers from different breweries and seek to acquire knowledge about how the beer is made and the ingredients that are used in the process.” I know a lot of people who drink craft beer on a regular basis. Most of them, I would consider fairly knowledgeable. And if not knowledgeable, then certainly very interested in the product and sampling ones they have not tried before.

The examples of breweries cutting back on the number of beers they brew in the New York Times article are small in number, anecdotal even. I seriously question how widespread this phenomenon is. I visit a lot of breweries throughout the year. I can’t recall one that I have visited in the last twelve months that has what I would consider a small number of beers on tap. Indeed, one of the most popular craft beer bars in Toledo, OH (where I live) is an establishment called The Casual Pint. It regularly has at least 25 different beers on draft. It is a very popular venue for local craft beer drinkers. No one I see in there looks particularly stressed or anxious when they are selecting which beer to purchase. In all honesty, most seem quite happy and relaxed and, if anything, appear to find the extensive beer list as a benefit and not a burden.

Further Reading:

Chernev, Alexander, Ulf Bockenholt, and Joseph Goodman. 2015. Choice Overload: A Conceptual Review and Meta-Analysis. 2015 Journal of Consumer Psychology, Volume 25, Issue 2, pp. 333–358.

Schwartz, Barry. 2004. The Paradox of Choice: Why More is Less. HarperCollins Publishers.

2018 Year in Review

So another year is about to draw to a close. And with that, it is time to look back on my brewery visits for the year. This year, I visited a record sixty-six breweries. At the start of the year, I set myself a goal of fifty-two breweries, an average of one per week. So I more than met my target.

Of the breweries that I visited, twenty were in my home state of Ohio, forty-one were in states other than Ohio, and five were outside of the United States. In addition to Ohio, I had the opportunity to visit breweries in five other states – Kentucky, Michigan, Missouri, Oregon, and Texas. Outside of the United States, I visited breweries in Italy, Ireland, and the United Kingdom.

Of the sixty-six breweries that I visited, I had been to thirteen of them at least once before (indicated in italics in the lists below), which means there were fifty-three breweries that I visited for the first time.

This year, I also kept track of the craft beer bars that I visited. Throughout the year, I visited nine craft beer bars – three in Austin, TX, and one each in  Toledo, OH and Ann Arbor, MI. I also visited craft beer bars in Rome (Italy), Lisbon (Portugal), Zurich (Switzerland), and Innsbruck (Austria).

Creating a list of craft beer bars visited did raise some interesting definitional questions. To qualify as a craft beer bar, does that mean that all beer that it sells must be craft beer? If not, what proportion of the beer must be craft beer? Does a bar that sells predominantly macro-beer, but has a couple of craft beers on tap, qualify as a craft beer bar? I did give this some thought as I set out to create this list. Here is where I ended up, from a definition perspective. To qualify as a craft beer bar, the beers available must be predominantly craft beers. It is ok to have one or two macro-beers, but no more than that. Also, it must have craft beers from more than one brewery. For example, while most of the beers available at the Brewdog bar in Rome are brewed by Brewdog, the bar does have a nice, albeit, small selection of other craft beers. While you may debate the criteria I used to define a craft beer bar, it worked for me.

Below you will find a list of all the craft breweries and craft beer bars that I visited during 2018. Following this list, you will find one photograph from each of the places that I visited. I hope that you enjoy these. They are intended to capture the beauty and diversity of craft beer.

For 2019, I will once again set a target of fifty-two craft breweries. While I am tempted to try to beat my 2018 total of sixty-six breweries, I want to keep this a fun, non-stressful, venture – fifty-two seems a reasonable target.

Ohio Breweries (20)

US Non-Ohio Breweries (41)

Non-US Breweries (5)

Craft Beer Bars (9)

Collision Bend Brewing Company, Cleveland, OH
Torn Label Brewing Company. Kansas City, MO
Grizzly Peak Brewing Company, Ann Arbor, MI
Boulevard Brewing Company, Kansas City, MO
Basecamp Brewing, Portland, OR
Ethereal Brewing, Lexington, KY
Casual Animal Brewing, Kansas City, MO
Draught House Pub & Brewery, Austin, TX
Hair of the Dog Brewery, Portland, OR
Grapevine Brewing Company, Grapevine, TX
Border Brewing Company, Kansas City, MO
McMenamins John Barleycorns, Tigard, OR
Earnest Brew Works, Toledo, OH
Elbow Lane Brew and Smokehouse, Cork, Ireland
Nano Brew, Cleveland, OH
Great Black Swamp Brewing Co., Perrysburg, OHBlue Tractor BBQ & Brewery, Ann Arbor, MI
Maumee Bay Brewing Company, Toledo, OH
Black Fire Winery & Brewery, Tecumseh, MI
Flatrock Brewing Company, Napoleon, OH
Rising Sons Brewery, Cork, IrelandCatawba Island Brewing Company, Port Clinton, OHBlack Frog Brewery, Holland, OH
Patron Saints Brewery, Toledo, OH
Twin Oast Brewing Company, Catawba, Island, OH
Vanguard Brewing Company, Wilsonville, OR
Anbra Brewery, L’Aquila, Italy
Blueskies Brewery, Onsted, MI
Armadillo Ale Works, Denton, TX
Market Garden Brewing Company, Cleveland, OH
Franciscan Well Brewery, Cork, IrelandDeception Brewing, Dundee, OR
Brink Brewing Company, Cincinnati, OH
Blue Owl Brewing, Austin, TX
Great Lakes Brewing Company, Cleveland, OH
Austin Beerworks, Austin, TX
Mirror Twin Brewing Company, Lexington, KY
Wayfinder Beer, Portland, OR
Butcher and The Brewer, Cleveland, OH
B. Nektar, Ferndale, MI
Blue Stallion Brewing Company, Lexington, KY
Brewer’s Table, Austin, TX
Wild Side Brewing Company, Grand Rapids, OH
Brewery Emperial, Kansas City, MO
Little Beast Brewing, Beaverton, OR
Deep Ellum Brewing Company, Dallas, TX
Windermere Brewery, Ings, United Kingdom
Arbor Brewing Company, Ann Arbor, MI
Denton County Brewing Company, Denton, TX
Urban Artifact, Cincinnati, OH
10 Barrel Brewing, Portland, OR
Ill Mannered Brewing Company, Powell, OH
Country Boy Brewing, Lexington, KY
Jolly Pumpkin Cafe & Brewery, Ann Arbor, MI
Rock House Brewing, Lexington, KY
Cotton Brewing Company, Adrian, MI
Atwater Brewery, Detroit, MI
Black Cloister Brewing Company, Toledo, OH
Barley & Board, Denton, TX
Inside The Five Brewing Company, Sylvania, OH
Adelbert’s Brewery, Austin, TX
Double Shift Brewing Company, Kansas City, MO
Max’s Fanno Creek Brew Pub, Tigard OR
Brewdog Craft Beer Bar, Rome, Italy
Cerveteca Craft Beer Bar, Lisbon, Portugal
Banger’s, Austin, TX
The International Beer Bar, Zurich, Switzerland
The Casual Pint, Toledo, OH
Beer Plant, Austin, TX
Hop Cat, Ann Arbor, MI
Tribaun, Innsbruck, Austria
Growler USA, Austin, TX

HAPPY NEW YEAR